Poetry and death – How should literary legacies be handled?

Sandra Richter
© Ausserhofer
The literary estate of writers is treated in various ways, depending on whether they have achieved cult status and whether they are supported by heirs, enthusiasts or publishers. On the other hand, a long life as an author does not guarantee that he or she will achieve posthumous renown. In her lecture Sandra Richter, Director of the German Literature Archive Marbach, examined literary estate policy from a scientific viewpoint.
The precarious life situation of many writers at an advanced age should be borne in mind, Richter said. Even the famous Johann Wolfgang von Goethe initially functioned as finance minister for ten years before working towards being able to make a living from his writings. Nevertheless, he was one of the very first authors to develop an awareness for the matter of literary estate. Starting with his “Italian Journey”, he kept all of his writings and drawings. Towards the end of his life, his archive had become correspondingly extensive and was geared to his heritage. Friedrich Schiller, by contrast, did not preserve his literary work so well – simply because he had less private space available.
Sometimes a so-called “bequest” even takes the place of an estate: Some authors consciously organize their output during their lifetime, Sandra Richter continued, and make it available to archives. Positive examples of this are Hermann Hesse and Martin Walser – the latter bequeathed some 300 boxes of personal documents to the German Literature Archive, which he referred to as an “underground heaven”. Female authors, on the other hand, tend to deal less professionally with their literary heritage and also leave behind less than their male counterparts. Sometimes, however, fortunate circumstances play a role, as with the contemporary East German-born writer Julia Franck, whose current collection in the Archive comprises 21 boxes as the result of a private move of house.
In some cases the publishing houses take care of their authors’ heritage, and the German Literature Archive Marbach occasionally takes on this role itself, said Richter. The valuable documents are collected and securely stored in an area of 5,000 m² in the main storage facility, in the external facility with a capacity of 1,000 m², and in a new building. The Archive extends to around 1,600 individual collections, 49 publisher archives, over 450,000 pictures and objects, and more than 61,000 audio files. In addition, Sandra Richter said in conclusion, the Archive is dedicated to research and sets out to convey literature to the younger generation with a special children’s and youth program.
39th Bertha Benz Lecture
July 16, 2024
Foyer of the SRH University of Applied Sciences,
Heidelberg
Speaker:
Prof. Dr. Sandra Richter
Director
German Literature Archive, Marbach